SCHOTT CERAN
LUMINOIR

SCHOTT CERAN
LUMINOIR

SCHOTT CERAN
LUMINOIR

SCHOTT CERAN
LUMINOIR

SCHOTT CERAN
LUMINOIR

SCHOTT CERAN
LUMINOIR

Client | SCHOTT | Agency | Shanghai Berlin GmbH |Creative Direction | Dana Kreidt | Artdirection | Carsten Reinhardt | DoP | Timm Lange

Client | SCHOTT | Agency | Shanghai Berlin GmbH |Creative Direction | Dana Kreidt | Artdirection | Carsten Reinhardt | DoP | Timm Lange

Client | SCHOTT | Agency | Shanghai Berlin GmbH |Creative Direction | Dana Kreidt | Artdirection | Carsten Reinhardt | DoP | Timm Lange

Client | SCHOTT | Agency | Shanghai Berlin GmbH |Creative Direction | Dana Kreidt | Artdirection | Carsten Reinhardt | DoP | Timm Lange

MEMBERS

Tom Grammerstorf | Director

Tom Grammerstorf | CGI

Chris Iskandar | Edit | Compositing

Jan Eric Kohrs | Music | Sounddesign

MEMBERS

Tom Grammerstorf | Director

Tom Grammerstorf | CGI

Chris Iskandar | Edit | Compositing

Jan Eric Kohrs | Music | Sounddesign

To visualize a new type of glass ceran materiality, HOW realized an image film as well as a print campaign with the agency Shanghai Berlin. Tom not only directed the film, but also did the 3D renderings. A real set construction was deliberately avoided in order to show the transparency of the material in the best possible way. DOP on the project was Timm Lange. To round off the film Jan Eric composed the music and added further sound effects.

To visualize a new type of glass ceran materiality, HOW realized an image film as well as a print campaign with the agency Shanghai Berlin. Tom not only directed the film, but also did the 3D renderings. A real set construction was deliberately avoided in order to show the transparency of the material in the best possible way. DOP on the project was Timm Lange. To round off the film Jan Eric composed the music and added further sound effects.

To visualize a new type of glass ceran materiality, HOW realized an image film as well as a print campaign with the agency Shanghai Berlin. Tom not only directed the film, but also did the 3D renderings. A real set construction was deliberately avoided in order to show the transparency of the material in the best possible way. DOP on the project was Timm Lange. To round off the film Jan Eric composed the music and added further sound effects.

To visualize a new type of glass ceran materiality, HOW realized an image film as well as a print campaign with the agency Shanghai Berlin. Tom not only directed the film, but also did the 3D renderings. A real set construction was deliberately avoided in order to show the transparency of the material in the best possible way. DOP on the project was Timm Lange. To round off the film Jan Eric composed the music and added further sound effects.

To visualize a new type of glass ceran materiality, HOW realized an image film as well as a print campaign with the agency Shanghai Berlin. Tom not only directed the film, but also did the 3D renderings. A real set construction was deliberately avoided in order to show the transparency of the material in the best possible way. DOP on the project was Timm Lange. To round off the film Jan Eric composed the music and added further sound effects.

To visualize a new type of glass ceran materiality, HOW realized an image film as well as a print campaign with the agency Shanghai Berlin. Tom not only directed the film, but also did the 3D renderings. A real set construction was deliberately avoided in order to show the transparency of the material in the best possible way. DOP on the project was Timm Lange. To round off the film Jan Eric composed the music and added further sound effects.

To visualize a new type of glass ceran materiality, HOW realized an image film as well as a print campaign with the agency Shanghai Berlin. Tom not only directed the film, but also did the 3D renderings. A real set construction was deliberately avoided in order to show the transparency of the material in the best possible way. DOP on the project was Timm Lange. To round off the film Jan Eric composed the music and added further sound effects.

HOW

HOW

HOW

HOW

HOW

HOW


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