SCHOTT CERAN
LUMINOIR
SCHOTT CERAN
LUMINOIR
SCHOTT CERAN
LUMINOIR
SCHOTT CERAN
LUMINOIR
SCHOTT CERAN
LUMINOIR
SCHOTT CERAN
LUMINOIR
Client | SCHOTT | Agency | Shanghai Berlin GmbH |Creative Direction | Dana Kreidt | Artdirection | Carsten Reinhardt | DoP | Timm Lange
Client | SCHOTT | Agency | Shanghai Berlin GmbH |Creative Direction | Dana Kreidt | Artdirection | Carsten Reinhardt | DoP | Timm Lange
Client | SCHOTT | Agency | Shanghai Berlin GmbH |Creative Direction | Dana Kreidt | Artdirection | Carsten Reinhardt | DoP | Timm Lange
Client | SCHOTT | Agency | Shanghai Berlin GmbH |Creative Direction | Dana Kreidt | Artdirection | Carsten Reinhardt | DoP | Timm Lange
MEMBERS
Tom Grammerstorf | Director
Tom Grammerstorf | CGI
Chris Iskandar | Edit | Compositing
Jan Eric Kohrs | Music | Sounddesign
MEMBERS
Tom Grammerstorf | Director
Tom Grammerstorf | CGI
Chris Iskandar | Edit | Compositing
Jan Eric Kohrs | Music | Sounddesign
To visualize a new type of glass ceran materiality, HOW realized an image film as well as a print campaign with the agency Shanghai Berlin. Tom not only directed the film, but also did the 3D renderings. A real set construction was deliberately avoided in order to show the transparency of the material in the best possible way. DOP on the project was Timm Lange. To round off the film Jan Eric composed the music and added further sound effects.
To visualize a new type of glass ceran materiality, HOW realized an image film as well as a print campaign with the agency Shanghai Berlin. Tom not only directed the film, but also did the 3D renderings. A real set construction was deliberately avoided in order to show the transparency of the material in the best possible way. DOP on the project was Timm Lange. To round off the film Jan Eric composed the music and added further sound effects.
To visualize a new type of glass ceran materiality, HOW realized an image film as well as a print campaign with the agency Shanghai Berlin. Tom not only directed the film, but also did the 3D renderings. A real set construction was deliberately avoided in order to show the transparency of the material in the best possible way. DOP on the project was Timm Lange. To round off the film Jan Eric composed the music and added further sound effects.
To visualize a new type of glass ceran materiality, HOW realized an image film as well as a print campaign with the agency Shanghai Berlin. Tom not only directed the film, but also did the 3D renderings. A real set construction was deliberately avoided in order to show the transparency of the material in the best possible way. DOP on the project was Timm Lange. To round off the film Jan Eric composed the music and added further sound effects.
To visualize a new type of glass ceran materiality, HOW realized an image film as well as a print campaign with the agency Shanghai Berlin. Tom not only directed the film, but also did the 3D renderings. A real set construction was deliberately avoided in order to show the transparency of the material in the best possible way. DOP on the project was Timm Lange. To round off the film Jan Eric composed the music and added further sound effects.
To visualize a new type of glass ceran materiality, HOW realized an image film as well as a print campaign with the agency Shanghai Berlin. Tom not only directed the film, but also did the 3D renderings. A real set construction was deliberately avoided in order to show the transparency of the material in the best possible way. DOP on the project was Timm Lange. To round off the film Jan Eric composed the music and added further sound effects.
To visualize a new type of glass ceran materiality, HOW realized an image film as well as a print campaign with the agency Shanghai Berlin. Tom not only directed the film, but also did the 3D renderings. A real set construction was deliberately avoided in order to show the transparency of the material in the best possible way. DOP on the project was Timm Lange. To round off the film Jan Eric composed the music and added further sound effects.
HOW
HOW
HOW
HOW
HOW
HOW
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